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Light and Landscape
Since the
summer of 1997 I have
felt and been subjected to the west coast of Ireland; it
has become familiar to me: the light, the subtle
fluctuations of its earth, the capricious changeability
of its water. I want to penetrate its surface and
explore the deeper layers within. I want to give a
definition, a form and shape to the essence of that
which surrounds us. My search leads me to document the
tension between extremes: like the introverted silence
that lies in wait for the thunderous roar of a storm
which is sure to come, like the sun dried stones on the
beach for the approaching tide, like the grass that
flexes before the wind has touched it.
I paint stills
of a landscape tethering on the edge becoming something
else; the point of transmutation that will lead to a
changed horizon which may yet change again only to
return to the point of origin. It is that singular
moment where the has-been becomes unbound and transforms
into a will-be, that unveils the true identity of the
spirit underneath and so becomes an abstraction. (merges
reality in with abstraction)
I document the
fixtures within this mutable visual quantity; the way
the poles on our slipway stand firm and frozen in the
soft evening mist but remain just as rigidly present
when the storms pick up to batter their countenance, the
way they are dry and tall during low tide, but are
steeped beneath the flood twice daily.
Crucially no
matter how caught up in the landscape my work may be, it
remains a probing quest to understand the essence of
things, my life.
Technique:
pencil,
acrylic on board.
Click on a painting to view an enlargement.
Photographer
Willem
Vermaase.
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Cottage 1,
pencil
on board

Rhodondendrons,
acrylic on board

Cottage 2,
pencil
on board
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